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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond at Leeds in 1977

Dave Ball, a key member of the pioneering 1980s electronic music band Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the team scored a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He subsequently formed the innovative electronic act The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on October 22, just weeks after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of ill-health.

"I managed to injure myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my spine and fractured about five ribs and fractured my arm."

After contracting a lung infection and developing sepsis, he was placed in an induced coma and stayed in the hospital for half a year.

However, he had been in "a great place emotionally" during the summer, as he was developing a fresh record with Almond, titled Danceteria, which is set for release next year.

"He was concentrated and very pleased with the latest project that we actually completed only a few days ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was all set to be such an positive year for him, and I find comfort from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense part of my life and for the music you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is different from joining a band, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many remarkable, incredible, memorable moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He was raised in the seaside town with adoptive parents his caregivers, who changed his given name from his birth name to David, together with his younger sister his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and quickly produced an EP.

Creative Collaboration

The duo were an distinctive pairing: Ball was the reserved technician, bent over his keyboard, while Almond was a charismatic showman, all glitter and makeup; but they achieved a unique creative synergy.

Ball had cultivated a fascination with electronic instruments after viewing the band Kraftwerk appear on a television science show Tomorrow's World, and began to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of 1981, shifting millions of copies worldwide. Together with successful tracks by other artists, Human League and Ultravox, it contributed to cleared the way for the synth-pop sound of the 80s.

The song was also included on their first album, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were developing new material until just before Ball's death

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my first home, having money and exploring, which might seem like a beauty queen," Ball not long ago shared with a publication.

But it also caused problems. "Sudden riches meant we could purchase newfound drugs to relieve the monotony" of media interviews and TV performances, Ball said.

"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to create a follow-up memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before ending the band to focus on other projects.

Almond went on to have a successful individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the charting record Cruelty Without Beauty.

Following a further hiatus, they reappeared in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, that year.

However, they remained active, creating their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the duo's upcoming release as a homage to the NYC nightlife they visited while making their initial records.

He added that his period in medical care had influenced the group's music.

"I had unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the noises in my mind from those days.
"Simultaneously, it's about the experiences we had in the 80s."

The last versions were completed only a short time before Ball passed away. It is scheduled for release in the spring of 2026.

By

Heather Wright

A tech enthusiast and digital strategist with over a decade of experience in web development and emerging technologies.

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